Glenn Ligon.
“A conceptual artist whose work expores race, language, desire, sexuality and identity.”
(Source: youtube.com)
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christian louboutin, 20th anniversary bag collection
(Source: jessbloomforever)
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Why do people make fun of madmen? Because they upset people? Didn’t Molière mock the hypochondriac? Doesn’t the man who believes he is ill need treatment?
Am I way off the beam? I don’t think I’m completely irrational. Is being mad being disabled? Can one speak of a gana mad desire to dance grened mind, of thought beaten to death, of a mutilated, damned soul? Can one be mad in happiness as in misfortune? Can someone take vows of madness as one takes religious vows, or devotes one’s life to poetry? Can a person slip breathlessly into madness with a slow, muffled tread, as if to avoid disturbing some secret demon feigning absence or asceticism? At times I’m afraid of shutting my eyes, for I see an unreal world with its dead. I open them again and fear has not left me. Madness may just be a sensation resonant with futility: as in Franz K.’s castle, we are waiting on the landing, in front of a closed door, for something that has already happened and will paradoxically happen too late. Am I insane? Thérèse was going to tell me. Does that word bother you? You would rather not use it anymore? I have others to offer you: disturbed, unbalanced, crazy, unhinged, nuts, loony, daft, demented, maladjusted, retarded, half-witted. Am I a paranoiac, a schizophrenic, a hysteric, or a neurotic? Do I just have an ordinary inferiority or guilt complex that a simple antidepressant
could cure? That’s possible. Am I guilty of having freely abused my freedom? Or of having simply lived a life that wasn’t mine by succumbing to the torture of both excessively vague despair and excessively transparent hope—thus, of having survived thanks to my madness, in its various phases and darkest depths? But who is to say whether guilt and madness are compatible or incompatible? And who decides that I’m not entitled to both madness and despair? That madmen are beyond redemption, thus hopelessly condemned, except in the privileged area of art? Van Gogh, before dying, whispered: “Sadness will last forever.” Sadness. No. Madness lasts much longer. Tolstoy said that thinking about the future is the beginning of madness, but Maimonides said the world would be saved by madmen. Which of the two will succeed in guiding me to a different reality?