Reblogged from therealpuppyish with 11,748 notes

likeafieldmouse:

Felix Schramm

likeafieldmouse:

Felix Schramm

Reblogged from likeafieldmouse with 1,705 notes

nevver:

Night, Ferdinand Hodler

nevver:

Night, Ferdinand Hodler

Reblogged from nevver with 792 notes

blankmuseum:

Miami Art Basel 2013

blankmuseum:

Miami Art Basel 2013

Reblogged from euo with 50,131 notes

tylerspangler:

Tyler Spangler x Isaac Zoller
www.tylerspangler.com
www.isaaczoller.com
www.instagram.com/tyler_spangler
www.facebook.com/tylerspangler1985
tylerclintonspangler@hotmail.com

tylerspangler:

Tyler Spangler x Isaac Zoller

www.tylerspangler.com

www.isaaczoller.com

www.instagram.com/tyler_spangler

www.facebook.com/tylerspangler1985

tylerclintonspangler@hotmail.com

Reblogged from tylerspangler with 55 notes

"Don’t let the mixed signals fool you. Indecision is a decision."

(Source: angelicareni)

Reblogged from dopestofthedopest with 53,342 notes

poietike:

Nancy Brooks - Brody Merce Drawing, 2011.

The exhibition, SUITES IN SPACE: Merce Drawings and Color Forms, features two new series of works. Merce Drawings are linear compositions executed on top of still photographic images of Cunningham performances, which foreground shapes made by the body as it traveled through space and time. To create Merce Drawings, Brody prints low-res images culled from the Internet onto newsprint. These photographs of dancers’ bodies capture a tilted head or a shift in weight to create fixed points that guide the visual plane. While Brody makes several prints of the same image, each unique work underscores the live act of drawing - the unpredictability and the inscription of movement onto time. The painting-objects, Color Forms, are further meditations on the impression a body leaves behind. For these works, Brody embeds enamel-painted shapes made of lead into shallow clefts carved directly into the wall. An extension of her life drawing practice, they are characteristic of Brody’s investment in transmissions,  transitions and form. @  Andrew Kreps.

Reblogged from poietike with 321 notes

workman:

inneroptics:
ANNIE LEIBOVITZ, Keith Haring

workman:

inneroptics:

ANNIE LEIBOVITZ, Keith Haring

Reblogged from animal40 with 830 notes

"Of course, you never really forget anyone, but you certainly release them. You stop allowing their history to have any meaning for you today. You let them change their haircut, let them move, let them fall in love again. And when you see this person you have let go, you realize that there is no reason to be sad. The person you knew exists somewhere, but you are separated by too much time to reach them again."

Chelsea Fagan, How We Let People Go (via 366quotes)

Reblogged from fuckyeahexistentialism with 2,622 notes

(Source: brittany-carel)

Reblogged from renaezinggrace with 86,347 notes